By Emilio D'Alessandro,Filippo Ulivieri,Simon Marsh

A precise point of view at the director of such movie classics as Dr. Strangelove, 2001, and Full steel Jacket, from his own assistant and confidante.
“As stable an insider's view of center- to late-period Kubrick as there is…funny and informal throughout.”—Kirkus Reviews
Stanley Kubrick has been obvious typically as an enigma—the neurotic Howard Hughes of filmmakers, a weird and wonderful hermit and unknowable genius ate up by means of his paintings and captivated with privateness to the purpose of insanity. during this “weird, revealing satisfaction” (The manhattan occasions e-book Review), Emilio D'Alessandro supplies readers a never-before-seen standpoint of the true guy in the back of one of the most iconic artworks within the background of cinema.
Emilio used to be a minicab motive force in London who had no inspiration who Kubrick was once while he took a task because the director’s chauffeur through the filming of A Clockwork Orange. sincere, trustworthy, and able to tackle any activity, Emilio came upon his approach into Kubrick's oddball center and self assurance. For the subsequent thirty years he turned Kubrick’s depended on own assistant, handyman, prepare dinner, sounding board, housekeeper, and pet-sitter—all the whereas staring at firsthand Kubrick’s meticulous operating equipment. He used to be even solicited through Kubrick to supply casting feedback. (Emilio suggested his attention of Charles Bronson for The Shining).
within the collective mind's eye, Kubrick was once an remoted misanthrope. during this clean and affecting portrait, Emilio unearths an altruistic, effusive, beneficiant, and dependable friend—and an artist dedicated to the 3 issues in existence that mattered to him such a lot: his family members, his animals, and his movies.
"Through targeted anecdotes and gentle money owed of existence either on place and stale, D'Alessandro sheds mild in the back of the scenes…and deals a special portrait of the guy himself."—Vice

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